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#ClassicsaDay #Divertimento Week 1
For October, the challenge is to post videos of divertimentos written by classical composers.
Seems straightforward enough. However I quickly discovered that every composer had a different idea of what "light in character" meant.

#ClassicsaDay #AltBaroque Week 4
Many composers contributed to that development -- many more than the Big Three. Here are my posts for this #AltClassical challenge. For the fourth and final week, I picked some unusual composers.

Bruckner From the Archives, Vol. 4 Offers Stylistic Contrasts
Lani Spahr's superb restorations do much service to the music. He brings out the inherent qualities of these recordings. And he does so without unnaturally "enhancing the sound."

Koussevitzky@150: The Koussevitzkys at Home
Episode four focuses on the home life of the Koussevitzys, as told by Charles O'Connell.

#ClassicsaDay #AltBaroque Week 3
Here are my posts for this #AltClassical challenge. For the third week, I focused on composers of the Middle Baroque, running from about 1680 to 1705.

Gubaidulina Triple Concerto and Rejoice! Exceptional
Gubaidulina writes like no one else. If you're familiar with her style, know that these are some of her best compositions. If not, be ready for some real adventures in listening.

Collegium Vocale Gent Perform Near-Perfect Gesualdo
If you're familiar with Gesualdo, you should find this release outstanding. If you're not, this is a great recording to start with.

Koussevitzky@150: Koussevitzky as “Colorist”
In part three of Koussevitsky@150, Tom Godell explores the concept of Koussevitzky as a colorist.

#ClassicsaDay #AltBaroque Week 2
The Classics a Day team offers a unique challenge for September. Participants are to share music from the Baroque Era on their social media posts. What makes this a challenge is to avoid the big names. So no Bach, Handel, or Vivaldi. (And no Pachelbel's Canon).

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