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Cappella Roman Delivers Arvo Part’s Spirituality
When it's time to get off the merry-go-round of daily life, play this album. It can transport you to a world of quiet contemplation. And that's not a bad thing at all.
Evgeni Koroliov’s Insightful Handel
Authentic? No. But musical? Yes. Koroliov gives us engaging, thoughtful performances of this material. And isn't that what we're listening for?
Solid Choral Compositions from Richard Lambert
Karolina Csáthy directs the Accordare Choir. They sing with feeling and precision -- two qualities for the success of "...a plague."
#Classicsaday #Classical1924 Week 2
For the first month of the new year, the Classics a Day team looks back a century. So the challenge for January 2024 is to post performances of classical works that were either composed, premiered, or first recorded in 1924.
Strong Debut by Clarinetist Sam Boutris
If you want to know how the clarinet should be played. pick up (or download) a copy of Phases.
National Orchestral Institute Philharmonic Continues Fine Tradition
The orchestra is comprised of conservatory students from the U.S. and abroad. While the players may lack experience, they have plenty of talent and musicianship. Every track was a top-flight performance.
Four Hands at Home Present Cozy Compositions
An interesting audio recreation of a time gone by. And a revival of some sadly-neglected repertoire.
#ClassicsaDay #Classical1924 Week 1
The challenge for January 2024 is to post performances of classical works that were either composed, premiered, or first recorded in 1924.
Emilio de’Cavelieri: Lamentations
Emilio de' Cavalieri was a major figure in the early Baroque. He's credited with writing the first oratorio in 1600.
We are grateful for the generosity of the Joseph and Robert Cornell Memorial Foundation and UVA Arts Council, supporting WTJU and CharlottesvilleClassical.org.